Broadcasting Press Guild Awards Winners 2015
‘Biopic’ dramas, based on the lives of real people, have picked up more top prizes at the 41st Broadcasting Press Guild Awards, voted for by journalists who write about TV and radio. This morning winners and BPG members attended a celebratory lunch sponsored by the Discovery Channel.
Hard on the heels of Eddie Redmayne’s Oscar and BAFTA success for his portrayal of Professor Stephen Hawking, Sheridan Smith has won the BPG’sbest actress award for her performance as the young Cilla Black in the ITV drama Cilla. Toby Jones has been named best actor for his role as Neil Baldwin, the relentlessly upbeat kit-man at Stoke City Football Club, whose life was dramatised in Marvellous on BBC Two. Marvellous won the award for best single drama and BBC Two also won the award for best drama series, withThe Honourable Woman.
Forty years after his TV debut in New Faces, Lenny Henry receives the BPG’s highest honour, the Harvey Lee Award for Outstanding Contribution toBroadcasting. It recognises his contribution to Comic Relief, which began 30 years ago, and also his campaign for greater diversity in broadcasting, which is finally starting to change policies at the UK’s major broadcasters. Henry is breaking off from rehearsals for tonight’s Red Nose Day telethon to attend the ceremony.
The award for best radio programme has gone to BBC Radio 4 for Germany: Memories of a Nation, presented by Neil MacGregor, director of the British Museum. Jane Garvey, the presenter of Woman’s Hour, also on Radio 4, is named radio broadcaster of the year.
Channel 4 has taken two awards for factual television. Benefits Street – which attracted front-page headlines and fostered debate and controversy – won the award for best documentary series and Gogglebox won the BPG award for best factual entertainment, for the second year. The award for best single documentary went to Baby P: The Untold Story on BBC One.
W1A, BBC Two’s spoof documentary about the BBC and its management, was named best comedy. Crackanory, the star-studded storytelling series for adults on UK TV’s Dave, won the multichannel award.
Writers were well represented at this year’s awards. Sally Wainwright was a runaway winner of the BPG writer’s award for Last Tango in Halifax and Happy Valley, both on BBC One. And the BPG Breakthrough Award went to the brothers Harry and Jack Williams, who wrote another hit BBC One drama series, The Missing.
The final award, for Innovation in Broadcasting, went to Vice News, the online start-up which was set up in London only a year ago as part of Vice Media, and which has produced ground-breaking reports on the world’s trouble zones for young audiences.
Full list of winners and a gallery pf pictures below:
Best Factual Entertainment Gogglebox
Best Single Drama Marvellous
Best Drama Series The Honourable Woman
Best Single Documentary Baby P: The Untold Story
Best Documentary Series Benefits Street
Best Multichannel Programme Crackanory
Radio Programme of the Year Germany: Memories of A Nation
Radio Broadcaster of the Year Jane Garvey - Woman’s Hour
Best Entertainment/Comedy W1A
Writer’s Award Sally Wainwright
Best Actress Sheridan Smith
Best Actor Toby Jones
Breakthrough Award Harry and Jack Williams, writers of The Missing
Innovation in Broadcasting Award Vice News for The Islamic State and other original commissions
Harvey Lee Outstanding Contribution to Broadcasting Lenny Henry
Hotel Transylvania 2 Teaser Trailer
Adam Sandler continues his proud cinematic exploration of family dysfunction and accents of questionable origin with the follow up to Sony’s supernatural animation Hotel Transylvania. The first look at the new film sees Sandler’s well meaning Dracula adapting to life as a grandparent with a little help from his entourage of fellow iconic monsters.
Star Wars Stand Alone & Episode VIII Details
Star Wars producers have confirmed that Rogue One is the official title of the previously announced Star Was Spin off set to be directed by Gareth Edwards. The Monsters and Godzilla director will take charge of the film which will star recent Oscar nominee Felicity Jones. New film Rogue One will be the first of many planned Disney film’s exploring the wider Star Wars universe outside of the main saga and the new trilogy.
Rian Johnson has also been confirmed as writing and directing Star Wars Episode VIII which will follow on directly form Star Wars: The Force Awakens and is scheduled for released on 26th May 2017.
Rogue One will start shooting in London this summer with a planned release date of December 2016. Allowing Disney to hold fast to their previous boast of plans to give fans a new Star Wars adventure every year.
Frozen 2 Confirmed by Disney
In news that surprises nobody Disney has finally given official confirmation to the inevitable sequel to their billion dollar animated hit Frozen. The 2013 original is already the highest grossing animated film of all time, having hauled in $1.274 billion (£857 million) worldwide. It also picked up two Oscars in 2014 for best animated feature and best original song.
Before the much anticipated sequel Anna, Elsa, Sven, Kristoff and Olaf will return in a 7 minute short Frozen Fever that will screen before Disney’s live action remake of Cinderella. Giving fans a much appreciated taster of the magic to come.
Insurgent Review
The Plot:
In a post-apocalyptic society strictly divided into casts by personality types, Tris Prior and her fellow ‘Divergent’ renegades that defy classification, must find a way to fight back against the sinister forces determined to take control of what’s left of human civilization. As Tris battles her inner demons, the shifting loyalties of her friends, family and even enemies test her like never before.
The Good:
Picking up mere days after the events of the first film, Insurgent promises fans answers to some of the questions and emotional issues left unresolved during the frantic climax of Divergent. The film makes the most of a clearly improved budget to explore the ruined remains of Chicago and the even more fantastical world of the virtual reality tests Tris must overcome.
Theo James is still appropriately rugged as Tris’s handsome love interest Four and Shailene Woodley remains a welcome alternative to the typical damsel in distress cliché that so often ruins action blockbusters. The mere presence of talents like Miles Teller, Ansel Elgort and Kate Winslet also immediately improve the attention span of audiences. It gives at least the impression of substance behind even admittedly threadbare and predictable material.
Those that found the deadly virtual reality games that tested Tris in the first film interesting, will be pleased to see that concept taken to even more elaborate places. It gives the film an excuse to escape an otherwise generic and dreary dystopia and at least insert some CGI heavy fantasy action sequences.
The Bad:
Fans of the book series and first film will welcome the continuation of the Divergent saga, but for the uninitiated this will prove a confusing and disappointing experience. Though the film makes a cursory effort to explain the situation with a quick opening monologue, in truth if you haven’t seen the first film you’ll be left entirely lost.
Sadly like all the other recent ‘young adult’ franchises the Divergent series struggles to maintain the relative promise of its first big screen outing. The first film offered a moderately intriguing tale of a dystopian future and misguided social engineering. The sequel continues that adventure with an obviously bigger budget, a lot more angst but far less novelty.
Shailene Woodley is a talented young actress but her character is simply far too preoccupied with self-doubt and recriminations. It’s so unnecessary and unhelpful it often threatens to make Tris more irritating than inspiring. In one scene our hero literally ‘squeaks’ with discomfort whilst confessing her feelings of guilt over past deeds. Perhaps all the tears, self-loathing and melodrama will be less distracting and annoying for a target audience of teenagers, but grown-ups may find it far harder to empathise.
Though Insurgent boasts a cast that includes Miles Teller, Ansel Elgot and Kate Winselt the sad truth is that none of them ever have the slightest chance to demonstrate their undoubted talents. Somehow Insurgent manages to make every character feel like they’re being given insufficient screen time and lacks emotional depth or complexity. Even when characters make supposedly dramatic decisions or betrayals, it feels irrelevant because there’s so little emotional investment in proceedings.
Only fans of the actual books will be able to tell whether something has been lost in translation to screen, or if characters motives really were always so poorly defined and explored in the original story.
Though the film spends a big chunk of time and its bloated budget putting Tris back into elaborate virtual realities, it’s just a transparent excuse for expensive superhero style action sequences. Again it’s impossible to really care about what happens as both the characters and audiences are fully aware that it’s never real. It doesn’t matter if people die or entire cities crumble, because nothing is actually happening.
Overall Insurgent’s biggest failing is that despite all its troubled nightmares, dramatic haircuts and angst ridden dialogue its almost entirely lacking in actual emotional substance. It simply lumbers through predictable story arcs merely out of an unfortunate obligation to perpetuate a valuable ‘franchise’.
The Ugly Truth:
Unless you’re already a devoted fan of the Divergent series, it’s probably best to avoid getting involved at this stage. Insurgent is a typical blockbuster sequel that feels mostly superfluous and redundant. Occasional bursts of CGI action and the mere presence of a talented cast can’t disguise that fact that the entire film feels at best like a set up for a hopefully more interesting third chapter.
Our chat with Ansel Elgot about the Divergent Sequel and Shailene Woodley below: