Any Day Now Alan Cumming Interview
Any Day Now is a moving drama inspired by real life events. In the 1970s, a gay couple fights a biased legal system to keep custody of the abandoned mentally handicapped teenager that comes to live under their roof. Here’s what star Alan Cumming had to say about working on the project:
Rudy’s nature is flamboyant, even effusive, but it struck me the key to your performance is locating his solitude, even
loneliness.
I thought a lot about how to deal with the dichotomy in Rudy’s character: the brashness and confidence he shows at the beginning of the movie alongside the tenderness he shows with Marco and Paul. I realised that someone like Rudy would need an armour, a protective shield to help him get by. I wanted to
give him a swagger that would make sense of his survival, and then to use the other stuff for self-‐deprecation and humor. So I think you’re right, solitude is a big part of what I was trying to get to, because I think when we meet him in the movie it’s the first time he hasn’t been on his own, and it’s very new to him.
Was working in period–the recent past, the late 1970s– liberating for you?
Yes, definitely, because it makes the experience less contemporary and therefore you are allowed to fly a little bit. A period piece, even a recent one like this, gives you a bit of freedom to invent and imagine, and I love that. So often ‘contemporary, in acting terms, means the volume is turned down, literally and figuratively, and I’ve never understood why.The movie tackles a great deal, the political, cultural, the legal ramifications; but it seems, at heart, what makes it compelling is that it focuses on outsiders, people who are by circumstance or personal choices disenfranchised in some way.I think all great drama involves a sense of the outsider, people who are different in some way but there but for the grace of God go us. In Any Day Now we have three outsiders all trying to be allowed to love each other, something that nobody should be prevented from doing. And they’re on a new and magical journey together that the audience gets to come on too. The movie has a lot to say about gay rights, adoption, how we view disability. Mostly it is about family and the basic desire we all have to care and love others.
What was your emotional interaction with Isaac Leyva, who plays Marco; did you feel protective towards him because of his inexperience, or did you want to give him his own space for his own personality to emerge?
Isaac didn’t need any space for his personality to emerge. His personality enters the room before him. He is an absolutely amazing and beautiful boy and we got along like a house on fire as soon as we met. I did feel protective towards him, but only in the way I’d feel protective towards someone who had never done a film before or been in that sort of situation. Working with Isaac was the best thing about this whole experience for me. Everything he felt was so completely pure and immediate and he really reminded me of what acting is supposed to be about. I adore him, and will always be grateful to him.
Within the framework of the legal struggle to gain custody of the child, the movie is, at heart, a love story of contrasting types– your liberated cabaret performer staged against Garret Dillahunt’s closeted professional. How were you and Garret able to achieve such an observational, tender rapport?
Sometimes things just happen. Garret and I had never met before and indeed we only met a day or two before our first scene together, when we were both getting wig fittings. But I immediately felt comfortable with him and I think we just looked each other in the eyes and thought, ‘I trust you. This is huge, emotionally and spiritually, what we’re about to go through together, but I trust you’. And I never felt out of synch with him for a second. It really was just about us both each other from the start.
Music is central to Rudy. The movie’s very emotional ending is amplified by your great version of the classic Bob Dylan protest song, “I Shall Be Released.” Is that a piece you suggested to Travis Fine, the director?
I didn’t know the song at all. And for a long time the film didn’t end that way. Often with films the songs change around a lot because it is so difficult and expensive to get the rights and permission. So it was quite late on that ‘I Shall Be Released’ came into the mix, and to let me hear it Travis sent me the YouTube clip of Bette Midler singing it in a bath house in New York in the ‘70s, with Barry Manilow accompanying her. I thought, ‘Could you have made this any more daunting?’ It is the most incredible and harrowing rendition of it. When it came for me to record it, it was quite late in the shoot and I had a sense of Rudy’s grief and I tried to put that into his performance. I think the very last moment when he looks at Paul and sings ‘I swear my love. We shall be released’ is such a beautiful moment and it is so great how the song works so well for our story, and of course our title.
What do you think accounts for the almost visceral reaction people have had to the film so far?
I think it is the fact that people see three characters who obviously love each other and who are good for each other being prevented from being together because of hatred and bigotry and prejudice, and sadly although much has changed and much has improved, those emotions still exist in our world today. The audience knows that Rudy and Paul and Marco should be together, but they also know they live in a world that stops that from happening and so they feel complicit, and that’s why I think it really gets to them.
One Direction This Is Us World Premiere Live Stream
On Tuesday 20 August, the global music phenomenon One Direction will grace the red carpet for the world premiere of One Direction: This is Us in Leicester Square, London. Weaved with stunning live concert footage, this inspiring feature film tells the remarkable story of Niall, Zayne, Liam, Harry and Louis‘ meteoric rise to fame, from their humble hometown beginnings and competing on the X-Factor, to conquering the world and performing at London’s famed O2 Arena. Hear it from the boys themselves and see through their own eyes what it’s really like to be One Direction.
New Rush Movie Stills
Two-time Academy Award winner Ron Howard (A Beautiful Mind, Frost/Nixon), teams once again with fellow two-time Academy Award nominee, writer Peter Morgan (Frost/Nixon, The Queen), on Rush, a spectacular big-screen re-creation of the merciless 1970s rivalry between James Hunt and Niki Lauda.
The epic action-drama stars Chris Hemsworth (The Avengers) as the charismatic Englishman James Hunt and Daniel Brühl (Inglourious Basterds) as the disciplined Austrian perfectionist Niki Lauda, whose clashes on the Grand Prix racetrack epitomized the contrast between these two extraordinary characters, a distinction reflected in their private lives.
Set against the sexy and glamorous golden age of Formula 1 racing, Rush portrays the exhilarating true story of two of the greatest rivals the world has ever witnessed—handsome English playboy Hunt and his methodical, brilliant opponent, Lauda. Taking us into their personal lives on and off the track, Rush follows the two drivers as they push themselves to the breaking point of physical and psychological endurance, where there is no shortcut to victory and no margin for error. If you make one mistake, you die.
Also starring Olivia Wilde (TRON: Legacy) and Alexandra Maria Lara (The Reader), Rush is produced by Andrew Eaton (A Mighty Heart), Howard, Academy Award® winner Brian Grazer (Apollo 13, A Beautiful Mind), Eric Fellner (Senna, Tinker Tailor Soldier Spy), Morgan and Brian Oliver (Black Swan) and executive produced by Cross Creek Pictures, Exclusive Media, Todd Hallowell and Tim Bevan.
Rush will be released in cinemas on 13th September 2013
Jamie Campbell Bower Interview The Mortal Instruments City of Bones
The Mortal Instruments City of Bones opens on 21st August, based on the bestselling fantasy book series by Cassandra Clare. Stars Lily Collins, Jamie Campbell Bower and Robert Sheehan joined director Harold Zwart in London for a press conference with fans. Check out what Jamie Campbell Bower in particular had to say about his role as shadow hunter Jace.
Jace is a very cool character was it a fun role for you ?
Yeah he’s everything that I’m not basically. You know performance is always a very cathartic process for me and I’m not particularly cool. Put it that way! He was great character to play. It was tough; I put a lot of work and a lot of effort into it. A lot of the characters that I’ve played beforehand have been let’s say soft or rounded physically. Unfortunately or fortunately, depending on what way you look at it, you have the book and there’s a guy thee with his shirt off and he’s looking pretty buff and pretty hench. So I had to get into that sort of physical shape. But I’ve always liked to push myself and challenge myself in some way, shape or form. I quite like that because I get bored easily without that. I have quite a short attention spans as I think you can probably tell. It was fun and it was difficult. Honing my skills in terms of stunt and fighting was a real joy. But I did come out the other side groaning.
Jamie we’ve heard you always have a tattoo to mark projects you work on. Is that true an have you had anything to mark this movie?
Yeah I was meat to go in today but the tattoo parlour I got t in soho is closed today. I’m getting “I am after all what you made me”, which is a quote from one of the later books, on my back with two roses. But recently I got a skull and a cross on the back of my leg and arm recently. It’s my own stupid fault that I’m sitting in a makeup chair for like five hours.
I’ve got conversations with the costume designer next week, so I think from now on they’ll be a lot of long sleeves going on. It took about four hours to cover up my tattoos and hen but on the new ones over the top. I didn’t just get the character tattoos done because we didn’t know if we were getting to do movie two at that time. But I quite like having my tattoos there underneath the skin and makeup. I quite like knowing that I’m still Jamie underneath all that at the end of the day. So that wherever I go I’m still me.
You’ve spoken in the past about the negative reaction of fans when you were first cast, do you feel like that’s changed?
I think upon being cast I was very aware of a negative reaction from the fandom. I’d be lying if I said that I wasn’t aware of that. That reaction was based on image and looks alone. That was two and a half years ago. As an actor and a performer I’m very much aware of the fact that my job is to change physically and emotionally. That was what hurt the most, because of the fact that people were judging me based on nothing. I’ve been told not to swear but when I talk about this I get very…. It’s totally fine. I get it. I think sometimes with social media and the internet there is no brain to hand co-ordination. People don’t think, it’s like this continuous diarrhea. People don’t really understand that that affects people. I think particularly now with what’s happened in recent history should show the fact that particularly with young people, that’s not acceptable. I just don’t think that’s acceptable in any way shape or form. I’m not saying it affected me in that way necessarily because it didn’t. I mean it affected me somewhat for sure but not too much. Have I seen the reaction change, I think so. It’s always hard for anyone in our position I suppose as an actor to receive praise. Naturally as people we are quite self-deprecating. I think sometimes we do what we do as people because we’re looking for recognition.
I have seen a reaction, I was very fortunate to receive a book that had been made by fans that came together. That is something that I look at every day and I’m very grateful for. I carry it with me everywhere and it’s in my bag. It’s a book of all these people who had pictures with posters saying Jamie is Jace around the world. I feel incredibly honoured to have that. If there’s one thing that someone can take form this monologue. Next time before you judge anyone just think, just use your brain. Don’t be an idiot! It’s annoying!
There’s a lot of elaborate CGI and special effects in the film what was it like to work with that?
What’s fascinating about this industry is that things are made so much more difficult than they have to be. For example, with the thing we use to carve the runes we had battery packs the size of a bottle of water strapped to our backs with wires taped down our entire arms. Then I went to the mall tour the other day and the merchandise it’s just a battery operated pen! I was like why didn’t we have that he we were shooting?
What was your favourite costume to wear?
I’d probably say my Diesel leather pants, just in case anyone from Diesel is listening now and can help me out. The leaher trousers were great. Everyone’s always like “Oh the leather must have been really difficult to work in, it’s like quite constricting”. Leather’s actually a very versatile material. It’s stretchy. Although I did rip my outfits quite a few times! I was doing superhero jumps and then I’d rip the crotch. It would be like “Hey we’re going to need a clean-up on isle three here!”. If you look very closely at some of the stunt scenes you can sees there’s rips appearing and then disappearing. No, course our continuity is brilliant…
At the heart of this big fantasy adventure is quite a relatable love triangle. What was it like to work on that aspect of the story?
I think every character g son their own journey. Ace is a shadow hunter prior to the movie starting. Jace goes out there and he kills demons. He protects the human world. His world is turned upside down by her introduction. So his entire motivation and shift is because of her entrance. I don’t want to speak for Robbie but I think Simon is someone who has been a part of Clary’s life and so he is thrown into a world of the shadow hunters and he’s trying to find his place in the world too. So it was never something where we came at it together and said this is the main focus of our story. The main focus is actually the journey that each character has to go on and that’s what makes it an ensemble and that’s what makes it actually an interesting piece. You can relate to very single character. I can see bits of myself in all of them. There’s not one character that make me think I don’t understand what that person’s going through. I think for each of us we were very focused on our own journey within our own love story.
Lily Collins Interview The Mortal Instruments City of Bones
The Mortal Instruments City of Bones opens on 21st August, based on the bestselling fantasy book series by Cassandra Clare. Stars Lily Collins, Jamie Campbell Bower and Robert Sheehan joined director Harold Zwart in London for a press conference with fans. Check out what beautiful star Lily Collins in particular had to say about her role as heroic lead Clary.
What attracted you to the part of Clary?
I guess the fact that Clary is very normal. She cries, she’s confused and she’s going through an identity crisis. I know I sure did that and I don’t know if anyone really gets over it. But she embraces that and she fins the strength in her weaknesses. She’s ends up kicking major butt and hanging with the guys, but all the while still having those very feminine young girl moments that make her very real. It’s about this journey she goes on, but never losing sight of how she actually is very normal as well. I think it’s too easy to play it very superhuman, but that’s not relatable to a normal person. But that’s what really drew me to her.
Some of the locations are amazing; did you have a favourite set?
The first one that I remember was when my jaw actually dropped, which was very reminiscent of the scene actually. Jamie opened the door to the institute library for the first time for me to see it and I stood there with my mouth open just like Clary. I was a huge fans f the books before I was cast and you automatically imagine what it’s going to look like and for me it was absolutely hands down exactly what I’m imagined, if not even better! The depth of the sets and the intricacies of the props, even ones you never really saw were just amazing. There were bookshelves filled with books and you’d think they were just the spine of book, but it was complete. All the weapons and the things that were made for it was pure magic.
What kind of training did you have to do to get into shape for the film?
We all did actually, Robert didn’t train so much though. I trained for three months before filming out in Los Angeles and then every day before, during or after work on set with the stunt department. I’ve always been an active persona and I really enjoy getting down and bruised I guess, especially on this one. I get to hang with all the guys and keep up, in heels and a very short dress, for the guys! I guess the hardest part for me physically was that I didn’t train in the outfits except for the day before. It was only then that I was thrust into it in these heels and this dress. As Lily it was very awkward but I could just pawn it off on Clary. I never tripped, I just bruised a lot. Battle scars.
What’s it like being part of such a popular franchise that already has a big fanbase?
We were in LA and Rob went “It’s like we’re the Rolling Stones!” then I heard a fan say… “Yeah, not quite!” I think it’s been very eye-opening, because I was a fan before I made the films. We’ve been going to these malls and with every one they get progressively more exciting. There are more people there’s, more screams, more weird anecdotes. It’s very special to be there hands on and see them up close and personal. The weirdest moments for me are when I go to mall that I’ve shopped at since I was like 12 and now there’s massive pictures of our faces everywhere. At my local coffee shops now there’s like all these billboards and people wearing t-shirts and stuff. I don’t think there’s any way you can ever full prepare and I wouldn’t want to prepare for anything. I like the spontaneity and I want everything to be as exciting as it should be. When you set an expectation it’s either above or below, but when you set nothing it is what it is ad it makes it special regardless.
There’s a lot of elaborate CGI and special effects in the film what was it like to work with that?
The Great thing about Harold I think what stuck out form my first meeting with him was that it wasn’t really about CGIU or green screen it was about character and emotion. You could wipe away all the other stuff and you’d get the same storyline. It’s just as strong and the other stuff is like icing on top. The Two things that stick out the most CGI wise is a scene where I stop the demons and they all freeze in time. Robbie and I were balancing under tennis balls on sticks. It was very strange because we were supposed to be fighting for our lives and he kept drawing picture son them to make us laugh. After the fifth take it’s not funny anymore. It’s like let’s get this done. It’s just not normal to be doing; I don’t do that on my free time obviously.
The other scene is the dog scene where it changes shape and comes after me and I’m setting things on fire. There was nothing to look at, the director just clapped and said it’s there… now it’s there. The part where part of the monster’s body are bulging back together on the floor, all the director said to me was “okay they’re growing, they’re growing and now they’re merging.” The only time that made any sense to me is when I saw the actual movie. I was like looking confused thinking what on earth he is talking about. It’s impossible to describe because I’d never seen CGI like that anyway. But luckily it played into it.
We also had an amazing prop guy called Mario and every time I was supposed to reach through into a card he was staring at me. So all I saw was Mario gazing up at me, it was so not normal.
If you could choose to draw a rune in real life what would it be?
I create done the other day, on my spare time. I was asked to draw one on someone and as I was drawing it I just thought of what it meant. I said it was the rune for grace and confidence, like you’ always carry yourself with that added bit of grace and confidence. It turned out the girl I drew it on was called Grace! (sings twilight zone music). Kinda weird!
What was your favourite costume to wear?
As annoying and impractical as they were I think the boots. Just because they symbolise Clary. She’s delicate like a petal but tough like a cookie. So to be able to wear those boots and be able to do all the things that I did and still keep up with the guys is great. It’s also trained me to run around the city in heels.
At the heart of this big fantasy adventure is quite a relatable love triangle. What was it like to work on that aspect of the story and why for Clary is important to have these two very different relationships with Jace and Simon?
First I think It’s somewhat of a love cube, don’t forget Alec who also loves Jace. I’ve no bene in a love cube before. When Jamie walked into his first audition room. That was pretty much just it. Right away it was created; whatever was needed to be created was created. Then we both walked into the room with Robbie and then they are so different in real life that they embody these characters perfectly in their own ways and I’m just in the middle of these two competing characters. So I didn’t think there was any work that needed to be done when it came to this triangle situation because we were so open to improv on the set. My Clary was only the Clary that she was because Jamie was his Jace. Then enter Robbie who became Simon. It’s weird to be in the middle of two guys again… not something that I’ve done. It is pretty weird. But I think it’s important for Clary because it’s kinda like having the angel and the devil on your shoulders. She’s just trying to figure out who she is and sometimes it takes figuring out what you don’t like to know what you do. Or what you do like, to know what to avoid. She sees pros and cons in both Jace and Simon. She finds pieces of herself in both people. The romance never defines Clary, which I really loved about this particular franchise. It’s not just a girl stuck between two guys. It’s a girl who finds herself in a situation but she never allows herself to be victimised by it or to have it define her journey. I think it’s important to have two types of men, because there are more than two types of men in his world. I mean you could easily categorise them in two categories but I won’t. But you know she finds pieces of herself within each person and I think to have that physical choice is just a metaphorical explanation of herself.