Snow White and the Huntsman Live Q&A
Newly Re-uploaded video of Kristen Stewart and Chris Hemsworths live Q&A from yesterday
YOU CAN ALSO READ THE FULL INTERVIEW WITH KRISTEN AND CHRIS HEMSWORTH AT THE LINK BELOW:
http://www.redcarpetnewstv.com/kristen-stewart-chris-hemsworth-interview/
BAFTA TV Craft Awards 2012 Winners List
Here is the full list of winners at this year’s BAFTA TV Craft Awards 2012
Breakthrough Talent
Kwadjo Dajan – Co-producer, Appropriate Adult
Costume Design
Charlotte Walter - Birdsong
Digital Creativity
Steph Harris, Dan Jones, Sandra Gorel, Adam Gee - Live From The Clinic
Director, Factual
David Clews - Educating Essex
Director, Fiction
Hugo Blick - The Shadow Line
Director, Multi-Camera
Phil Heyes – The X Factor Final
Editing, Factual
Andy Netley, Dave Pearce, Nigel Buck - Frozen Planet (‘To The Ends Of The Earth’)
Editing, Fiction
Charlie Phillips – Sherlock (‘A Scandal In Belgravia’)
Entertainment Craft Team
Paul Bussey, Nick Collier, Luke Halls, Annabel Raftery - The Cube
Make Up and Hair Design
Jacqueline Fowler - The Crimson Petal and the White
Original Music
Brian Eno - Top Boy
Photography, Factual
Camera Team - Frozen Planet (‘To The Ends Of The Earth’)
Photography and Lighting, Fiction
Florian Hoffmeister - Great Expectations
Production DesignDavid Roger - Great Expectations
Sound, Factual
Tim Owens, Graham Wild, Kate Hopkins - Frozen Planet (‘To The Ends Of The Earth’)
Sound, Fiction
John Mooney, Jeremy Child, Howard Bargroff, Doug Sinclair - Sherlock (‘A Scandal In Belgravia’)
Visual Effects
BlueBolt - Great Expectations
Writer
Steven Moffat - Sherlock (‘A Scandal In Belgravia’)
Special Award
Aidan Farrell
BAFTA TV Craft Awards Nominees List
Ahead of tonight’s BAFTA TV Craft Awards here’s a full list of nominees. The winners will be announced tonight from 6.30pm at The Brewery in London
Breakthrough Talent
Tom Basden – Writer, Fresh Meat
Kwadjo Dajan – Co-producer, Appropriate Adult
Stefan Golaszewski – Writer, Him & Her
Clare Johns – Producer/director: Panorama: The Truth About Adoption
Costume Design
Charlotte Walter - Birdsong
Amy Roberts - Call the Midwife
Susannah Buxton – Downton Abbey
James Keast - The Mystery Of Edwin Drood
Digital Creativity
Margaret Robertson, Alex Fleetwood, A.L. Kennedy, Lottie Davies - Dreams Of Your Life
Steph Harris, Dan Jones, Sandra Gorel, Adam Gee - Live From The Clinic
Matt Jarvis, Chloe Moss, Richard Wilson, Daniel Twomey - Misfits
ITV Online/ITV Studios – This Morning
Director, Factual
David Clews - Educating Essex
Vanessa Berlowitz, Chadden Hunter, Kathryn Jeffs - Frozen Planet (‘To The Ends Of The Earth’)
Sacha Mirzoeff - Protecting Our Children
Charlie Russell - Terry Pratchett’s Choosing To Die
Director, Fiction
Julian Jarrold - Appropriate Adult
John Alexander - Exile
Hugo Blick - The Shadow Line
Yann Demange - Top Boy
Director, Multi-Camera
Richard Valentine - Dancing On Ice
Ben Kellett - Mrs Brown’s Boys
Claire Popplewell – The Royal Wedding (BBC One)
Phil Heyes – The X Factor Final
Editing, Factual
Ian Davies - Agony & Ecstasy: A Year With English National Ballet
Andy Netley, Dave Pearce, Nigel Buck - Frozen Planet (‘To The Ends Of The Earth’)
Sean Mackenzie - Japan’s Tsunami Caught on Camera
Brendan Reilly - Terry Pratchett’s Choosing To Die
Editing, Fiction
Kristina Hetherington - Birdsong
Luke Dunkley - The Crimson Petal and the White
Victoria Boydell - Great Expectations
Charlie Phillips – Sherlock (‘A Scandal In Belgravia’)
Entertainment Craft Team
Paul Bussey, Nick Collier, Luke Halls, Annabel Raftery - The Cube
Simon Ainge, Zebedee Helm, Rachel Jury - Derren Brown: The Experiments (‘The Secret Of Luck’)
Konrad Begg, Phil Churchward, Ben Joiner, Iain May - Top Gear
Robert Edwards, Dave Davey, Matt Jeffreys, Julien Rigel - The X Factor
Make Up and Hair Design
Emma Scott - Birdsong
Jacqueline Fowler - The Crimson Petal and the White
Kirstin Chalmers - Great Expectations
Catherine Scoble - This Is England ’88
Original Music
John Lunn - Downton Abbey
George Fenton - Frozen Planet
Martin Phipps - Great Expectations
Brian Eno - Top Boy
Photography, Factual
Sean Bobbitt - Crack House
Michael W. Richards, Richard Cook, Christian Moullec - Earthflight (‘Europe’)
Camera Team - Frozen Planet (‘To The Ends Of The Earth’)
Leo Maguire - Gypsy Blood (True Stories)
Photography and Lighting, Fiction
Lol Crawley - The Crimson Petal and the White
Florian Hoffmeister - Great Expectations
Chris Seager – The Hour
Tat Radcliffe - Top Boy
Production Design
Pat Campbell - Appropriate Adult
Donal Woods, Judy Farr - Downton Abbey
Joel Collins, Daniel May - Black Mirror (’15 Million Merits’)
David Roger - Great Expectations
Sound, Factual
Daniel Jones, Sam Mathewson - The Choir: Military Wives
Tim Owens, Graham Wild, Kate Hopkins - Frozen Planet (‘To The Ends Of The Earth’)
Tom O’Pray, Paul Paragon - Rostropovich: The Genius of the Cello
Sound Team - The Royal Wedding (Service in Westminster Abbey) (BBC One)
Sound, Fiction
Sound Team - Birdsong
Richard Dyer, Paul Hamblin, Stefan Henrix, Matt Skelding - Great Expectations
Sound Team - The Hour
John Mooney, Jeremy Child, Howard Bargroff, Doug Sinclair - Sherlock (‘A Scandal In Belgravia’)
Visual Effects
The Mill – Doctor Who
BlueBolt - Great Expectations
Philip Dobree, Sophie Orde, Dan Upton - Inside the Human Body
Burrell Durrant Hifle - Wonders of the Universe
Writer
Neil McKay - Appropriate Adult
Abi Morgan - Birdsong
Jack Thorne - The Fades
Steven Moffat - Sherlock (‘A Scandal In Belgravia’)
Special Award
Aidan Farrell
Del Toro directing new Pinocchio film
Guillermo Del Toro will officially co-direct his first animated film with a new 3D stop motion version of Pinocchio for the Jim Henson Company. Del Toro will partner with acclaimed animation director Mark Gustafson.
Del Toro is currently finishing post-production Warner Bros giant monster movie “Pacific Rim” and has announced plans to begin shooting Pinocchio in summer 2013.
The screenplay by Del Toro’s regular collaborator Matthew Rollins finds Pinocchio embarking on amazing adventures to prove his incredible love for his father. This version of the classic fable about a wooden boy who comes to life will be set in Italy between the first and second world wars. Explaining this choice Del Toro said:
“It was when everyone was behaving like a puppet, except for puppets”
Del Toro was first attached to the project as a producer in 2008 but gradually came around to co-directing the complex project which will take an entire year to shoot.
“Little by little, I realized that I should direct”
First brought to the big screen by Disney in their 1940 animated classic, Del Toro has spoken about how profoundly the story has influenced him. Del Toro actually owns a real life collection of puppets and original artwork from the Disney production.
No casting has been confirmed yet but Del Toro is apparently considering Tom Waits and Donald Sutherland for key vocal roles.
Jim Henson Company CEO Lisa Henson will produce the film and explained why Del Toro was such an obvious choice for the project:
“Guillermo has been so passionate about this project from its inception and it is an honour to have him bring his unique blend of live action and animation experience to this well-loved story”
Johnny Depp Interview Dark Shadows European Premiere
At the Dark Shadows European Premiere in London, Johnny Depp talked about landing his dream role of cursed Vampire Barnabus Collins and how he got into character for his 8th film with visionary director Tim Burton. Here’s what Johnny had to say:
How does it feel to be back in London for the European Premiere?
It’s great to be back. I’m always sort of without words and overwhelmed by the welcomes I receive here.
Tell us how this project came about, what made you and Tim Burton want to bring Dark Shadows to the big screen?
It actually came about in such a casual way, we were doing Sweeney Todd at the time and you know I just casually mentioned to Tim, you know we should really do a vampire movie someday. Then we got onto the subject of Dark Shadows, which we’d both been fans of as kids. One thing led to another and then a couple of years later it happened like a bang.
Is it true that when you were a child you used to proudly announce one day you’d become a character in the show?
Yes I was obsessed with it as a kid. Barnabus Collins is one of those characters that has sort of been lurking in the back of my mind for many years
Did you re-watch episodes of the original series to get yourself into character?
I watched them every night while we were shooting. I’d watched them for weeks and months before we started. But Michelle Pfieffer was unbelievable she was watching them every morning in the makeup trailer.
You always take on interesting roles that feel unique, how easy was it for you to slip into this one?
I mean I just felt instantly comfortable on this film. Of course being with Tim again, but also we quickly worked out the hair and makeup process and together with the wonderful costumes I just felt instantly at home.
How would you describe Barnabus to audiences who might not be familiar with the original series?
I would describe him as obviously essentially a reluctant vampire. He’s a very elegant well-bred 18th century man who was cursed, locked in a box and thrown into the very strange era of 1972.
Among other things Barnabus has a pretty eccentric style, did you manage to keep any of his wonderful outfits when filming finished?
Oh yeah. Quite a few fell off the truck for sure.
It’s clear this role has been really important to you for a long time, was it a dream come true for you to finally play Barnabus?
Well, I think there are always still more boxes to be ticked, but this was a big one for me yeah!