Raindance Film Festival 2017 Line Up

The Raindance Film Festival today announced the majority of its highly anticipated line-up, which includes world, international, European and UK premieres.  Celebrating its 25th year, the Festival will take place in London’s West End from September 20th – October 1st, 2017.
Elliot Grove, Raindance Founder, “This year’s 25th-anniversary Festival has been made possible by a dynamic relationship with Lexus, who like Raindance, champion pioneering technology, innovation and craftsmanship.”

Raindance Founder Elliot Grove was joined by jury member, actor Jamie Campbell Bower (Harry Potter and The Deathly HallowsThe Twilight Saga: Breaking Dawn – Part 1 & 2) as they revealed this year’s competition films in the UK Features, Documentaries, Shorts and Web Series categories, as well as the programme for the hotly anticipated Virtual Reality strand.

The International Premiere of Atsuko Hirayanagi’s Oh Lucy! (USA), starring Josh Hartnett, has been announced as the opening night film. The film is a drama-comedy and tells the story of Setsuko Kawashima, a lonely, chain-smoking office lady in Tokyo who is past her prime and adopts an American alter ego. The Festival’s Closing Night film will be announced later in the month.

The Festival received a record-breaking number of submissions this year from over 120 countries, the highest it has received to date and will screen over 200 projects – including features, shorts, WebFest, VR and music videos. A champion of independent filmmaking, Raindance is the largest independent film festival in Europe and has consistently been a great supporter of the UK film industry.

As well as Jamie Campbell Bower, this year’s competition films will be judged by a panel of industry members and film journalists including, Ex-BIFA director Johanna Von Fischer and acclaimed Spanish producer Rosa Bosch, and some of the best names in British talent, including Jack O’Connell (Money Monster, Unbroken), Sean Bean (Game Of Thrones, The Lord Of The Rings trilogy), Christopher Eccleston (Thor, Dr Who), Ewen Bremner (Wonder Woman, Trainspotting), Celia Imrie (Bridget Jones series, Absolutely Fabulous: The Movie), Marianne Jean-Baptiste (Training Day, Broadchurch), Nicholas Lyndhurst (A United Kingdom, Only Fools and Horses), Hakeem Kae-Kazim (Hotel Rwanda, Pirates Of The Caribbean: At World’s End), Josh Whitehouse (Poldark, Northern Soul), Neil Marshall (Westworld, Game Of Thrones) and Rachel Portman (One Day, Chocolat).

To recognize the outstanding achievements of this year’s filmmakers, the jury will go through each of the Feature Films, selected for Official Competition, in the following categories; Best FilmBest DirectorBest ScreenplayBest Performance. Films nominated in these categories include the international premiere of Zachary Cotler and Magdalena Zyzak’s feature debut, Maya Dardel (USA), starring Lena Olin and Rosanna Arquette, which tells the story of a famous writer, who states her intention to end her own life during an interview on NPR, and invites male writers to compete to become the executor of her estate; The Constitution (Croatia), directed by Rajko Grlic, follows four people who live in the same building but avoid each other due to differences in their assets, sexual habits, nationality and religion; Kazuyoshi Kumakiri’s Mukoku (Japan), tells the story of a security guard, whose best days are behind, until a chance encounter changes everything.

Additional features in Official Competition include both narratives and documentaries vying for Best UK FilmBest Documentary and the coveted Discovery Award, which is given to Best Debut Film.  Films nominated in these categories include; the World Premiere of In Another Life (UK), Jason Wingard’s directional debut, set against the backdrop of the Calais Jungle, where refugee Adnan battles to be reunited with his wife in the UK; The Family I Had (USA), directed by female co-directors Katie Green and Carlyle Rubin, is a documentary featuring a mother recalling how her teenage son shattered their idyllic family through one violent act; Children Of The Night (Italy / Belgium), Andrea De Sica, grandson of four times Academy Award winner, Vittoria De Sica, tells the story of Giulio, a seventeen-year old from a well-to-do family, who is sent to a remote boarding school the Alps, where iron-clad rules limit all contact with the outside. He makes friends with Edoardo, an oddball, and their friendship is sealed by frequent escapes at night, to a nightclub hidden in the forest.

Other noteworthy films playing at the festival include You Are Killing Me Susana (Mexico / Canada), by Robert Sneider, producer of Frida, which stars Gael Garcia Bernal, and tells the story of a Mexican native adapting to life in the USA; Heitor Dhalia’s On Yoga The Architecture Of Peace (Brazil / USA) is based on Michael O’Neill’s book of the same name, and tells the story of the 10 years the author spent photographing Yoga’s great masters; RiverBlue: Can Fashion Save The Planet? by David McIlvrid and Roger Williams, follows internationally celebrated river conservationist Mark Angelo on an around-the-world journey by river that uncovers the dark side of the fashion industry; Tom Gustafson’s Hello Again (USA) starring Rumer Willis, daughter of Bruce Willis and Demi Moore, is the film adaptation of the popular Broadway musical, it explores 10 fleeting love affairs across 10 periods of time in New York City history.

The International Short Film competition slate includes the UK premiere of Jeannie Donohoe’s, Game (USA), produced by Bob and Harvey Weinstein, about a new kid in town who turns up at the high school boys basketball tryouts and instantly makes an impression; multi award winning director, Dea Kulumbegahsvili’s, Lethe, (France / Georgia) follows a lonely horseman, who wanders past the river of forgetfulness and through a rural Georgian village; Goddess (India / USA), directed by Karishma Dube, tells the story of being a closeted lesbian in contemporary India.

UK short films include the European Premiere of critically acclaimed director Eva Riley’s Diagnosis, about a woman’s secret evening job as a medical role play actress; Nathaniel Martello-White’s Cla’am, nominated for the Grand Jury Prize at SXSW, is a dark comedy about a local man who becomes convinced that a vast conspiracy is behind the gentrification in his London neighbourhood; the World Premiere of 46, by Joseph A. Adesunloye, tells the story of two friend’s hosting a party, that was meant to be a night of fun without responsibilities, which turns out be a nightmare for one of them.

The Women In Film and LGBT strands will include a specific selection of films as well as industry panels that emphasize the contribution women and LGBT communities are making to the industry and the current challenges they face.

The LGBT strand will showcase legendary queer director Bruce LaBruce’s latest feature, The Misandrists (Germany), about a young man who unknowingly is taken in by members of the Female Liberation Army – a lesbian separatist stronghold; Becks (USA), co-directed by Daniel Powell and Rebecca Drysdale, starring Mena Suvari, sees a Brooklyn musician move back in with her Midwestern mother, after a crushing breakup with her girlfriend. As she navigates her hometown, playing for tip money in an old friend’s bar, an unexpected relationship unfolds; Travis Mathews’, Discreet (Germany) tells the story of an eccentric drifter who returns home and discovers his childhood abuser is still alive.

This year’s films directed by women include Leslie Ann Coles’ debut documentary Melody Makers (UK) which stars Melody Maker Magazine’s Chief Contributing Photographer, Barrie Wentzel, who tells the story of the rise and fall of the magazine, which marked the end of a style of rock ‘n’ roll journalism that no longer exists today; Barrage (Luxembourg) directed by Laura Schroeder, stars Academy Award nominee Isabelle Huppert, and her real life daughter Lolita Chammah, following  the journey of Catherine (Chammah), who is returning to Luxembourg after ten years abroad, to catch up with her young daughter who has been brought up by Catherine’s mother (Huppert), and kidnaps her taking her on a road trip; City Of Joy (USA) is Madeline Gavin’s inspiring documentary following the first class of students at a remarkable leadership centre in the Eastern Democratic Republic of Congo, a region often referred as “the worst place in the world to be a woman”.

Running between September 28 – October 1, the newly established virtual reality strand will feature the Raindance VRX AwardsVRX SummitVRX Market and the VR Arcade. The brand new VRX awards will recognise pioneering virtual reality experiences in 10 categories: Best Interactive Narrative Experience, Best Mobile Interactive Experience, Best Cinematic Narrative Experience, Best Documentary Experience, Best Animation Experience, Best Music Experience, Best Branded Experience, Best Sensual Experience, Best Social Impact Experience and Best Sound Design Experience.

The VRX Awards Jury members include immersive storytelling visionaries such as Vicki Dobbs Beck of ILMxLAB, Jenna Pirog of The New York Times, Resh Sidhu of Framestore and leaders from Facebook, Samsung, Google, Pixar, Disney, ustwo games and more.

The VR Arcade, open to the public between September 29 – October 1, will allow audience members to experience the latest advances in storytelling by showcasing selected experiences by Raindance VRX Awards nominees. These will include 360º films and interactive experiences such as the World Premiere of Ray, a VR fairy tale directed by Raindance alumni Rafael Pavón that combines 360º stereoscopic video with visual effects and voice recognition to interact with a curious beam of light; the World Premiere of Manifest 99 by Flight School Studio, an eerie story about finding redemption in the afterlife—stare into the eyes of characters to transport to their point of view and move about on a mysterious train, rambling through an unknown void; the World Premiere of Peroration Six, a 360º live action performance by musician Sam Shepherd and his band Floating Points that takes you on a supernatural journey in the Utah desert; and the World Premiere of Second Date directed by Jennifer Lyon Bell, an unscripted portrait of two people fumbling towards sensual ecstasy. In a significant departure from typical VR representations of sex, Second Date encourages the viewer to intimately share the couple’s physical space, portraying their sexuality in an emotionally realistic way.

Programmed around the VRX Awards categories, the Raindance VRX Summit will bring together nominees and Jury members to celebrate pioneering work in VR. Held on September 29, the day will be packed with talks and panel discussions featuring creators across all mediums—filmmakers, game developers, animators, sound designers, musicians, Quill and Tilt Brush artists—all coming together to share new ideas.

Submissions for the Raindance VRX Market are currently open to independent creators seeking funding for the completion of their 360º films and VR experiences. The Market on September 28 will serve as a platform to meet funders and pitch projects in development.

The Festival’s unique WebFest will again provide filmmakers with the opportunity to tap into the online video industry. Web Series’ nominated films include Tom Kingsley’s BBC Three YouTube series Pls Like (UK), starring comedian’s Liam Williams and Tim Key, is a brutally hilarious mockumentary satirizing YouTube vloggers; I Gotta Be Me (UK), directed by Steven Bloomer, is about a frustrated soap star who joins a Rat Pack tribute act as his hero Sammy Davis Junior; Hugh O’Shea and Phillip Whiteman’s Millenial Theory is an Instagram series that follows two halfwits who believe themselves to be enlightenment gurus; Think Nathan Barley meets Eckhart Tolle.

Live! Ammunition! Is Raindance’s acclaimed ‘pitching’ event. Audiences over the world have pitched movie ideas to panels of film executives, film makers and other industry professionals, as they try to make their way through the film sector. For our 25th Raindance Film Festival, Live Ammo! will have a top panel and once again, film makers will pitch to the people who matter, as they decide what will be made and what won’t. To pitch, participants just drop a fiver in the hat, and the floor is theirs for two minutes. They can and will be gonged off if they are boring! Previous panelists include Ewan McGregor, Alberto Lopez (International Director, Variety), and Denise Parkinson (Global Entertainment Director, The Telegraph Group)  and for this year, we welcome back Dean Cross from Vue Entertainment and Tara Barnett, Sales Manager from 20th Century Fox.

The Festival’s third Co-production Forum will focus on the relationship between the UK and Italian film industries. Raindance, ICE (Italian Trade Agency), ANICA (Italian National Association of Film and Audiovisual Industry) and MiBACT (Italian Ministry of Cultural Heritage and Activities and Tourism), are hosting this forum in partnership with Variety. UK independent producers, distribution, production and sales companies are invited to join Raindance on this unique opportunity, to meet and partner, with Italian producers and create new co-production business opportunities.

In recognition of the plethora of filmmaking talent in China, Raindance is proud to launch its inaugural China Day, taking place on September 25th at The Mayfair Hotel, in conjunction with our Chinese partners, Dreamax – a Beijing based production and distribution outfit. China Day is a day of screenings and panel discussions on how filmmakers can access the Chinese markets, and how Chinese filmmakers can meet and work with European partners.

On today’s programme announcement, Founder Elliot Grove commented;

 “I am thrilled with the calibre of films submitted for this year’s Festival. Our programmers to select an excellent line-up. For 25 years, Raindance has continued to grow and support the independent film industry in the UK and abroad.  I’m looking forward to showcasing this year’s great line-up and new strands to our audience.”

Battle Of The Sexes Joins London Film Festival Line Up

The 61st BFI London Film Festival in partnership with American Express is thrilled to serve up BATTLE OF THE SEXES, starring Emma Stone and Steve Carell, as this year’s American Express Gala at this year’s Festival. The film will receive its European Premiere on Saturday 7 October at London’s Odeon Leicester Square, with Emma Stone, Andrea Riseborough, Elisabeth Shue, directors Valerie Faris and Jonathan Dayton, and the legendary Billie Jean King expected to attend. The BFI London Film Festival, Fox Searchlight Pictures and American Express are also delighted to announce that there will be screenings of BATTLE OF THE SEXES with highlights from the festival premiere taking place at cinemas across the UK on Tuesday 10 October.

In the wake of the sexual revolution and the rise of the women’s movement, the 1973 tennis match between women’s world champion Billie Jean King (Emma Stone) and ex-men’s-champ and serial hustler Bobby Riggs (Steve Carell) was billed as the BATTLE OF THE SEXES and became one of the most watched televised sports events of all time, reaching 90 million viewers around the world.  As the rivalry between King and Riggs kicked into high gear, off-court each was fighting more personal and complex battles. The fiercely private King was not only championing for equality, but also struggling to come to terms with her own sexuality, as her friendship with Marilyn Barnett (Andrea Riseborough) developed. And Riggs, one of the first self-made media-age celebrities, wrestled with his gambling demons, at the expense of his family and wife Priscilla (Elisabeth Shue). Together, Billie and Bobby served up a cultural spectacle that resonated far beyond the tennis court, sparking discussions in bedrooms and boardrooms that continue to reverberate today.

Starring Academy Award winner Emma Stone and Academy Award nominee Steve Carell as 1970’s tennis greats Billie Jean King and Bobby Riggs, BATTLE OF THE SEXES is directed by Valerie Faris and Jonathan Dayton from a screenplay by Academy Award winner Simon Beaufoy. BATTLE OF THE SEXES also stars Andrea Riseborough, Sarah Silverman, Bill Pullman, Alan Cumming and Academy Award® nominee Elisabeth Shue.

The film is produced by Cloud Eight Films’ Christian Colson and Decibel Films’ Danny Boyle, the team behind Academy Award winning and nominated films such as Slumdog Millionaire127 Hours and Steve Jobs. Also producing is Robert Graf, who has previously collaborated with the directors on Ruby Sparks and has produced such projects as Hail, Caesar and No Country for Old Men.

Clare Stewart, BFI London Film Festival Director, says:

“We are delighted that Valerie Faris and Jonathan Dayton’s BATTLE OF THE SEXES will be this year’s American Express Gala. This playful, funny and moving film is a rousing tribute to Billie Jean King whose impact on gender politics was as powerful as her legendary forehand.”

Guy Ritchie Recieves Raindance Auteur Award 2017

Raindance Film Festival is delighted to announce that British film director, Guy Ritchie, will receive the festival’s annual Auteur Award, recognising Ritchie’s achievements in filmmaking and ongoing contribution to the film industry. The award will be presented by Raindance Festival Founder, Elliot Grove this evening at The Mayfair Hotel where Mr Ritchie will be the special guest of honour at the Raindance 25th Anniversary drinks soiree.
Guy Ritchie replaces Ken Loach, who was the 2016 recipient of the Auteur Award.
Raindance Film Festival, the UK’s leading independent film festival, is taking place from September 20th, 2017 – October 1st, 2017.

Atomic Blonde Review

The Plot

As the 1980s and Cold War draws to a bitter close a British agent is dispatched to the murky underworld of Berlin to recover priceless information and track down the identity of a mysterious double agent.

The Good

From its opening scene to its closing moments Atomic Blonde is relentlessly propelled by a catchy soundtrack of deliciously 80s electro beats. This distinctive score combines very well with the grim urban wasteland of cold war torn Berlin and a fun parade of stark 80s fashion to give the film a truly distinctive style. It’s a colourful and chaotic canvas for director David Leitch to work with.

Charlize Theron is perfectly cast as the beautifully deadly British agent ruthlessly fighting her way through Berlin in pursuit of her mission and some more mysterious personal goals. Beneath of bob of bleach blonde hair and wrapped in a monochrome wardrobe, Theron is the epitome of cool. The film does a fine job of crafting an indestructible aura around Theorn and making her a highly credible and memorable action heroine.

A strong supporting cast packed with familiar British stars like Toby Jones, Eddie Marsan and a notably feral James McAvoy lend authenticity to the brutal and banal world of international espionage. The film also frequently injects flashes of dark humour into its regular barrage of blood soaked action. The film wisely eschews melodrama in favour of unashamed mayhem and copious guilty pleasures.

The Bad

Atomic Blonde tries to balance an ambitious combination of brutal action, spy thrills and black comedy. The results are mostly satisfactory but by turns can feel both a little predictable and gratuitous. The John Le Carre-esque spy plot isn’t quite as clever as it attempts to be, while likewise the consistently blood drenched action is well executed but ultimately becomes slightly repetitive.

The film often panders to the mostly male audience it clearly anticipates attracting by flaunting Charlize Theron’s naked charms and even some surprisingly Sapphic sex scenes. While the film’s target market will no doubt welcome some sexy distractions it may be a little less popular among those hoping to turn Theron’s indestructible super-agent into any kind of de facto feminist icon.

Ultimately while the film fuses various elements of films like Taken, John Wick and even Grosse Point Blank it seems unlikely to match their enduring popularity. It will be interesting to see how well the film ultimately survives repeat viewing once it has been robbed of any initial intrigue. The soundtrack and set pieces are fun but the film does lack the sort of memorable dialogue and iconic scenes that seems most necessary for achieving true cult classic status.

The Ugly Truth

Atomic Blonde flirts obviously with cult classic status thanks to a memorably kitsch style and killer soundtrack. Theron is a perfect fit for her femme fatal heroine and her considerable presence may be enough alone to satisfy some fans. Those seeking a more subtle spy thriller should probably look elsewhere though as Leitch’s 80s throwback is more shameless guilty pleasure than anything else.

Review by Russell Nelson

TIFF 2017 Talent Lab Participants Announced

Twenty emerging filmmakers from across the globe have been selected for the 14th annual TIFF Talent Lab. They will have the opportunity to learn from leading international film artists, with an emphasis on developing their creative vision and craft. The five-day artistic development programme will take place from September 5 to 9, 2017.

“We are excited to welcome this group of talented filmmakers, and to support  them to develop their artistry and expand their connections,” said Kathleen Drumm, TIFF Industry Director. “The breadth of their work displays the quality and diverse storytelling that TIFF is committed to supporting, and we see them as important filmmaking voices for the future.”

Since its inception, TIFF Talent Lab has been crucial in shaping the careers of many young directors and screenwriters. Notable Canadians who have attended Talent Lab in the past include Wiebke Von Carolsfeld, Richie Mehta, Elan Mastai, Semi Chellas and Michelle Latimer. Distinguished directors and producers, acting as Talent Lab Governors, will be mentoring the 20 up-and-coming filmmakers (10 international, 10 Canadian) through workshops, pitch sessions and masterclasses, with a focus on creativity, artistic process and independent voice.

To lead the newest cohort, this year’s Governors are producer Cassian Elwes (Dallas Buyers Club, Blue Valentine, Lee Daniels’ The Butler, Paperboy), along with Carole Scotta and Caroline Benjo from French production and distribution company Haut et Court (The Lobster, Foxfire, The Class). Additional Governors will be announced soon.

Special TIFF Talent Lab guests, including acclaimed international filmmakers, will be announced in the coming weeks. Talent Lab is produced by Hayet Benkara, TIFF Talent Development Programmer.

The 2017 Talent Lab participants are: Nathalie Álvarez Mesén (Sweden/Costa Rica); Jessica Beshir (Mexico); Mamadou Dia (Senegal); Belén Funes (Spain); Tinna Hrafnsdóttir (Iceland); Sara Kern (Slovenia); Jacqueline Lentzou (Greece); Samantha Nell (South Africa); Jenni Toivoniemi (Finland) and Wei-Ning Yu (Taiwan/USA/Canada). Joining them from Canada are Alexandre Dostie; Connor Gaston; Lawrence Le Lam; Trevor Mack; Emilie Mannering; Ryan Noth; Lina Roessler; Jorge Thielen Armand; Thyrone Tommy and Heather Young.