Raindance Film Festival 2017 Line Up
|
|
Battle Of The Sexes Joins London Film Festival Line Up
The 61st BFI London Film Festival in partnership with American Express is thrilled to serve up BATTLE OF THE SEXES, starring Emma Stone and Steve Carell, as this year’s American Express Gala at this year’s Festival. The film will receive its European Premiere on Saturday 7 October at London’s Odeon Leicester Square, with Emma Stone, Andrea Riseborough, Elisabeth Shue, directors Valerie Faris and Jonathan Dayton, and the legendary Billie Jean King expected to attend. The BFI London Film Festival, Fox Searchlight Pictures and American Express are also delighted to announce that there will be screenings of BATTLE OF THE SEXES with highlights from the festival premiere taking place at cinemas across the UK on Tuesday 10 October. In the wake of the sexual revolution and the rise of the women’s movement, the 1973 tennis match between women’s world champion Billie Jean King (Emma Stone) and ex-men’s-champ and serial hustler Bobby Riggs (Steve Carell) was billed as the BATTLE OF THE SEXES and became one of the most watched televised sports events of all time, reaching 90 million viewers around the world. As the rivalry between King and Riggs kicked into high gear, off-court each was fighting more personal and complex battles. The fiercely private King was not only championing for equality, but also struggling to come to terms with her own sexuality, as her friendship with Marilyn Barnett (Andrea Riseborough) developed. And Riggs, one of the first self-made media-age celebrities, wrestled with his gambling demons, at the expense of his family and wife Priscilla (Elisabeth Shue). Together, Billie and Bobby served up a cultural spectacle that resonated far beyond the tennis court, sparking discussions in bedrooms and boardrooms that continue to reverberate today.
|
|
Starring Academy Award winner Emma Stone and Academy Award nominee Steve Carell as 1970’s tennis greats Billie Jean King and Bobby Riggs, BATTLE OF THE SEXES is directed by Valerie Faris and Jonathan Dayton from a screenplay by Academy Award winner Simon Beaufoy. BATTLE OF THE SEXES also stars Andrea Riseborough, Sarah Silverman, Bill Pullman, Alan Cumming and Academy Award® nominee Elisabeth Shue.
The film is produced by Cloud Eight Films’ Christian Colson and Decibel Films’ Danny Boyle, the team behind Academy Award winning and nominated films such as Slumdog Millionaire, 127 Hours and Steve Jobs. Also producing is Robert Graf, who has previously collaborated with the directors on Ruby Sparks and has produced such projects as Hail, Caesar and No Country for Old Men.
|
|
Clare Stewart, BFI London Film Festival Director, says:
|
Guy Ritchie Recieves Raindance Auteur Award 2017
Atomic Blonde Review
The Plot
As the 1980s and Cold War draws to a bitter close a British agent is dispatched to the murky underworld of Berlin to recover priceless information and track down the identity of a mysterious double agent.
The Good
From its opening scene to its closing moments Atomic Blonde is relentlessly propelled by a catchy soundtrack of deliciously 80s electro beats. This distinctive score combines very well with the grim urban wasteland of cold war torn Berlin and a fun parade of stark 80s fashion to give the film a truly distinctive style. It’s a colourful and chaotic canvas for director David Leitch to work with.
Charlize Theron is perfectly cast as the beautifully deadly British agent ruthlessly fighting her way through Berlin in pursuit of her mission and some more mysterious personal goals. Beneath of bob of bleach blonde hair and wrapped in a monochrome wardrobe, Theron is the epitome of cool. The film does a fine job of crafting an indestructible aura around Theorn and making her a highly credible and memorable action heroine.
A strong supporting cast packed with familiar British stars like Toby Jones, Eddie Marsan and a notably feral James McAvoy lend authenticity to the brutal and banal world of international espionage. The film also frequently injects flashes of dark humour into its regular barrage of blood soaked action. The film wisely eschews melodrama in favour of unashamed mayhem and copious guilty pleasures.
The Bad
Atomic Blonde tries to balance an ambitious combination of brutal action, spy thrills and black comedy. The results are mostly satisfactory but by turns can feel both a little predictable and gratuitous. The John Le Carre-esque spy plot isn’t quite as clever as it attempts to be, while likewise the consistently blood drenched action is well executed but ultimately becomes slightly repetitive.
The film often panders to the mostly male audience it clearly anticipates attracting by flaunting Charlize Theron’s naked charms and even some surprisingly Sapphic sex scenes. While the film’s target market will no doubt welcome some sexy distractions it may be a little less popular among those hoping to turn Theron’s indestructible super-agent into any kind of de facto feminist icon.
Ultimately while the film fuses various elements of films like Taken, John Wick and even Grosse Point Blank it seems unlikely to match their enduring popularity. It will be interesting to see how well the film ultimately survives repeat viewing once it has been robbed of any initial intrigue. The soundtrack and set pieces are fun but the film does lack the sort of memorable dialogue and iconic scenes that seems most necessary for achieving true cult classic status.
The Ugly Truth
Atomic Blonde flirts obviously with cult classic status thanks to a memorably kitsch style and killer soundtrack. Theron is a perfect fit for her femme fatal heroine and her considerable presence may be enough alone to satisfy some fans. Those seeking a more subtle spy thriller should probably look elsewhere though as Leitch’s 80s throwback is more shameless guilty pleasure than anything else.
Review by Russell Nelson
TIFF 2017 Talent Lab Participants Announced
Twenty emerging filmmakers from across the globe have been selected for the 14th annual TIFF Talent Lab. They will have the opportunity to learn from leading international film artists, with an emphasis on developing their creative vision and craft. The five-day artistic development programme will take place from September 5 to 9, 2017.
“We are excited to welcome this group of talented filmmakers, and to support them to develop their artistry and expand their connections,” said Kathleen Drumm, TIFF Industry Director. “The breadth of their work displays the quality and diverse storytelling that TIFF is committed to supporting, and we see them as important filmmaking voices for the future.”
Since its inception, TIFF Talent Lab has been crucial in shaping the careers of many young directors and screenwriters. Notable Canadians who have attended Talent Lab in the past include Wiebke Von Carolsfeld, Richie Mehta, Elan Mastai, Semi Chellas and Michelle Latimer. Distinguished directors and producers, acting as Talent Lab Governors, will be mentoring the 20 up-and-coming filmmakers (10 international, 10 Canadian) through workshops, pitch sessions and masterclasses, with a focus on creativity, artistic process and independent voice.
To lead the newest cohort, this year’s Governors are producer Cassian Elwes (Dallas Buyers Club, Blue Valentine, Lee Daniels’ The Butler, Paperboy), along with Carole Scotta and Caroline Benjo from French production and distribution company Haut et Court (The Lobster, Foxfire, The Class). Additional Governors will be announced soon.
Special TIFF Talent Lab guests, including acclaimed international filmmakers, will be announced in the coming weeks. Talent Lab is produced by Hayet Benkara, TIFF Talent Development Programmer.
The 2017 Talent Lab participants are: Nathalie Álvarez Mesén (Sweden/Costa Rica); Jessica Beshir (Mexico); Mamadou Dia (Senegal); Belén Funes (Spain); Tinna Hrafnsdóttir (Iceland); Sara Kern (Slovenia); Jacqueline Lentzou (Greece); Samantha Nell (South Africa); Jenni Toivoniemi (Finland) and Wei-Ning Yu (Taiwan/USA/Canada). Joining them from Canada are Alexandre Dostie; Connor Gaston; Lawrence Le Lam; Trevor Mack; Emilie Mannering; Ryan Noth; Lina Roessler; Jorge Thielen Armand; Thyrone Tommy and Heather Young.